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Rose Collis is an author and journalist whose critically-acclaimed
biographies include 'A Trouser-Wearing Character: The Life
and Times of Nancy Spain' (Cassell, 1997) and 'Colonel Barker’s
Monstrous Regiment' (Virago 2001) Her latest book is Coral
Browne: ‘This Effing Lady’ (Oberon Books, 2007)
See Rose's web page here
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AUTHOR
AND JOURNALIST |
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I
could have stumbled upon Joe Orton when I was 7. In March
1967, he and Kenneth Halliwell came to Wimbledon Theatre
(10 minutes walk from where I was born and grew up) to
see a matinée performance of The Killing of Sister
George, starring Hermione Baddeley. In his diaries, Joe
expressed his delight with the audience’s ‘performance’,
which consisted primarily of easily-shocked elderly ladies
who extracted more pleasure from the tea interval than
the play.
In fact, like most people of my generation, I discovered
him in 1978, when The Sunday Times serialised John Lahr’s
Prick Up Your Ears, and introduced us to a delightful
Ortonesque world that was a breath of fresh air to me
in my angst-ridding, sexually-confused teenage years.
I was much taken with his sexual frankness (on and offstage),
his disdain for hypocrisy (especially outside of his class)
and, most importantly, that he was a writer who, like
me, had come from the working classes.
Like Joe, I confided in my diaries as a teenager, chronicling
my ‘other’, real self that my family didn’t
and couldn’t understand: my friends, my burgeoning
sexuality and my creative aspirations in music and theatre.
And, as he did, I always felt like an alien within my
own family. So emboldened was I by the unashamed polymorphous
perversity in Joe’s work that, as a young actress,
I used a speech from Entertaining Mr Sloane as an audition
piece - not one of Kath’s, one of Mr Sloane’s.
In 1997, I fulfilled one ambition which Joe shared: I
bought a home in Brighton, the town where he and Kenneth
spent an infamous weekend in July 1967, just weeks before
their deaths. Of course, it’s a place with so many
links to Joe: Peggy Ramsay and Oscar Lewenstein lived
there, as did Orton admirer, Terence Rattigan. The public
toilet where Joe had his famous sexual encounter with
‘a dwarf’ in 1967 now houses the offices of
a property management company - not an entirely incongruous
conversion for a cottage.
Loot and What The Butler Saw where both produced at the
Theatre Royal - and here my connections to Joe Orton come
full circle: my latest book is the biography of Coral
Browne who, in 1969, played Mrs Prentice in What The Butler
Saw. This glamorous and witty actress was actually suggested
by Halliwell as being ideal for the role. He was right,
of course - but, as history tells, he ensured that neither
he nor Joe lived to see his judgment gloriously vindicated.
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